Hiring motorbikes handed us the luxury of independence, something one finds all too rarely in Asia. Following another of Uli's tips we hired, for the princely sum of 50,000 rups (or seven NZ bucks) ourselves a fine steed of a machine and set about exploring the surrounding countryside with Liew and Juese from Toba. Regrettably, we failed to observe the state of the roads and with less than 15kms under our belt our steed pulled up lame with a flat. Thankfully, Asia is chockablock with tradesmen offering up their services for a small fee. On this occasion it was a tyre fixer, who for a couple of ciggies and 15,000 rups soon had us on our way.
Trying to avoid foot-deep potholes while dodging the oncoming traffic was hard work (there was too much of both) but after two hours of terrifying biking we reached our first port of call: the equator. Now this is no ordinary line you know. No, the equator represents the intersection of the earth's surface with the plane perpendicular to the earth's axis of rotation and containing the earth's centre of mass. What? Basically it's an imaginary line spliting the earth into two hemishpheres: north and south. In short, it's the perfect place to pose for a tacky photograph, which is, of course, what we did. Oh, and for those that care, water runs down a plug hole clockwise in the northern hemisphere, and anti-clockwise in the southern hemispshere. Try it.
We'd be told that the mighty Rafflesia flower (one of the world's biggest) was not yet in bloom so instead we headed deeper into the jungle in search of a rarely visitied village we were told (Uli again) was home to a magical instrument that produced sounds which echo around the mountains for many miles. The trek through the jungle was both awesome and frightening. Awesome because we had this wonderful place all to ourselves. Frightening because there was no tradesmen to fix a punture this time round!
Our arrival in the village with the all too complicated name to remember was met with much fuss: who were these four bole (foreigner) and what did they want? "Instrument", we ventured in our most polished English. "Can we see?" Cue those clueless smiles that all too often light up an Asian face, followed by laughter and then frowns. "Instrument, can you show us?" we offered a second time with the four of us systematically bashing the air with our imagainary sticks. Cue more laughter and smiles. Then, as the exchanges started to become tiresome, a breakthrough and moments later all was revealed. Remarkably the entire village turned out to greet us - and to watch us make fools of ourselves playing the most bizarre of instruments - a giant sized xylophone shaped from half tonne granite rocks. Its purpose: to ward away evil spirits. Noise travels down the vast shaft on which the rocks are perched and out into the nearby valley care of a trumpet opening that has been hacked into the steep walls.
Such is the intensity of ancient beliefs here that to step on one of the rocks is said to lead to a premature death. Whether you believe that or not is besides the by, but it was getting dark and we still had some 120kms of potholes and motorists to navigate if we were to make it back to Bukittinggi in time for tea.
The geography and landscape in this part of Sumatra is sublime: waterfalls frame the fertile green mountains, while thick mist cloaks appears from nowhere to create mystical looking rainbows. Evenings are spent devouring simple dishes like gado-gado (veggies drenched in stay sauce) and nasi goreng (mixed veggie fried rice topped with egg). And always there are a few ice cold Bintangs to see out the night.
Down the road, a short 100km hop, stands the city of Padang, another Indonesian city recently flattened by the all to frequent earthquakes that rock the island. On our last night we were saddened to hear that the latest of these earthly spasms had hit the nearby city of Bengkulu; casualties unknown.